Henrik Isbens A Doll’s House and Frederico Garcias The...

Henrik Isbens A Doll’s House and Frederico Garcias The House of Bernarda Alba The House of Bernarda Alba and A Dolls House, by Frederico Garcia Lorca and Henrik Ibsen respectively, are two similar plays written at different times. In 1964, Fredericos The House of Bernarda Alba debuted in Madrid Spain, thirty-one years after its birth in 1933. It pioneered the style of surrealistic imagery, popular folklore and was written in prose. A Dolls House was published in 1879 and appeared on stage that year in Copenhagen. Originally written in Dano-Norwegian known as Riksmal, its read in translation almost exclusively. It was released with a cast of male and female performers, in opposition to The House of Bernarda Alba with only female†¦show more content†¦Ã¢â‚¬Å"†¦History repeats itself† (Garcia Lorca 169) was said in a comparison between Adela’s mother and grandmother. In the play, A Doll’s House, Torvald allows his pride to come between him and his wife, causing a deceitful marriage. Torvald once said â€Å"†¦happiness is not the question; all that concerns us is to save the remains, the fragments, the appearance—† (Ibsen 63). Central to both plays, pride is seen almost as a character. It sometimes holds characters back, while others it thrusts stumbling forward. Always, however, its impact can be felt and its imprint can be seen. The dominant characters in both plays are rulers of their domain. Bernarda self-righteously rules her household emphasizing pride and status. Even when her maid Poncia has valid opinions, she does not listen. â€Å"†¦. Work and keep your mouth shut. The duty of all who work for a living† (Garcia Lorca 192). Bernarda rules quick and harsh, as she wants to be a decisive ruler with no guidance. However, Torvald is the ruler of a much smaller household. He wants his house to be a place of discipline, order, and respect. As with Bernarda, dominance is based on pride. This is revealed when he said, â€Å"I would gladly work night and day for you†¦But no man would sacrifice his honor for the one he loves† (Ibsen 70)† Torvald is more concerned with â€Å"honor† that others hold in him than his own wife’s happiness. In addition to causing the dominating nature in the

Solution for Classic Pen Free Essays

Case Study: Classic Pen Company 1- Cost of production of the pens according to ABC method: INDIRECT FINGE BENEFICT INDIRECT LABOR TOTAL indirect Labor Indirect Labor Computer System Other Overhead Total overhead Quantity Overhear Rate 8,000 20,000 28,000 Production Runs Setup Time Administration Run Machines 14,000 11,200 2,800 8,000 2,000 14,000 22,000 11,200 4,800 14,000 150 526 4 10,000 146. 67 21. 29 1,200. We will write a custom essay sample on Solution for Classic Pen or any similar topic only for you Order Now 00 1. 40 Total 28,000 10,000 14,000 52,000 Overhead distribution among the cost Pool Amount of overhead 22,000. 00 11,200. 00 4,800. 00 14,000. 00 2,000. 00 100,000 Quantity 150 526 4 10,000 Rate Amount of overhead 8,000 100,000 0. 08 Quantity 100,000 Blue Production Runs Setup Time Administration Run Machines Total Overhead by pen Quantity of pen Overhead by unit of pen Black 0. 50 0. 20 0. 08 0. 38 1. 16 Blue 7,333. 33 4,258. 56 1,200. 00 7,000. 00 19,791. 89 50,000 0. 40 Black 7,333. 33 1,064. 64 1,200. 00 5,600. 00 15,197. 97 40,000 0. 38 Red 5,573. 33 4,854. 75 1,200. 00 1,260. 00 12,888. 09 9,000 1. 43 Purple 1,760. 00 1,022. 05 1,200. 00 140. 00 4,122. 05 1,000 4. 12 Blue 4,000. 00 50,000 . 08 Black 3,200. 00 40,000 0. 08 Red 720. 00 9,000 0. 08 Purple 80. 00 1,000 0. 08 Direct Fringe Benefit distribution among pen Direct Fringe Benefit Quantity of pen Direct Fringe Benefit by pen Cost of Production Material Cost Direct Labor Direct Fringe Benefit Overhead Cost Cost of Produc tion 0. 50 0. 20 0. 08 0. 40 1. 18 Red 0. 52 0. 20 0. 08 1. 43 2. 23 Purple 0. 55 0. 20 0. 08 4. 12 4. 95 2- Actions that will be taken by Classic Pen Company As shown by the table below, the traditional cost shows the company is realizing benefit for all its pens. Blue Material Cost Direct Labor Overhead Cost Cost of Production Quantity of pen Cost of Production according to the Traditionnal Actual Unit Selling Price Profit/Loss $ Black 25,000 20,000 10,000 8,000 30,000 24,000 65,000. 00 52,000. 00 50,000 40,000 1. 30 1. 30 1. 50 1. 50 0. 20 $ 0. 20 $ Red Purple 4,680 550 1,800 200 5,400 600 11,880. 00 1,350. 00 9,000 1,000 1. 32 1. 35 1. 55 1. 65 0. 23 $ 0. 30 But with ABC Method we have realized that the unit selling price of the Red pen and Purple pen respectively $1. 5 and $1. 65 are less than the cost of production, therefore we expect that the Classic Pen Company will increase the unit selling price of these two pens. Blue Material Cost Direct Labor Direct Fringe Benefit Overhead Cost Cost of Production according to ABC Actual Unit Selling Price Profit/Loss $ 0. 50 0. 20 0. 08 0. 40 1. 18 1. 50 0. 32 $ Black 0. 50 0. 20 0. 08 0. 38 1. 16 1. 50 0. 34 $ Red 0. 52 0. 20 0. 08 1. 43 2. 23 1. 55 (0. 68) $ Purple 0. 55 0. 20 0. 08 4. 12 4. 95 1. 65 (3. 30) How to cite Solution for Classic Pen, Essay examples Solution for Classic Pen Free Essays Case Study: Classic Pen Company 1- Cost of production of the pens according to ABC method: INDIRECT FINGE BENEFICT INDIRECT LABOR TOTAL indirect Labor Indirect Labor Computer System Other Overhead Total overhead Quantity Overhear Rate 8,000 20,000 28,000 Production Runs Setup Time Administration Run Machines 14,000 11,200 2,800 8,000 2,000 14,000 22,000 11,200 4,800 14,000 150 526 4 10,000 146. 67 21. 29 1,200. We will write a custom essay sample on Solution for Classic Pen or any similar topic only for you Order Now 00 1. 40 Total 28,000 10,000 14,000 52,000 Overhead distribution among the cost Pool Amount of overhead 22,000. 00 11,200. 00 4,800. 00 14,000. 00 2,000. 00 100,000 Quantity 150 526 4 10,000 Rate Amount of overhead 8,000 100,000 0. 08 Quantity 100,000 Blue Production Runs Setup Time Administration Run Machines Total Overhead by pen Quantity of pen Overhead by unit of pen Black 0. 50 0. 20 0. 08 0. 38 1. 16 Blue 7,333. 33 4,258. 56 1,200. 00 7,000. 00 19,791. 89 50,000 0. 40 Black 7,333. 33 1,064. 64 1,200. 00 5,600. 00 15,197. 97 40,000 0. 38 Red 5,573. 33 4,854. 75 1,200. 00 1,260. 00 12,888. 09 9,000 1. 43 Purple 1,760. 00 1,022. 05 1,200. 00 140. 00 4,122. 05 1,000 4. 12 Blue 4,000. 00 50,000 . 08 Black 3,200. 00 40,000 0. 08 Red 720. 00 9,000 0. 08 Purple 80. 00 1,000 0. 08 Direct Fringe Benefit distribution among pen Direct Fringe Benefit Quantity of pen Direct Fringe Benefit by pen Cost of Production Material Cost Direct Labor Direct Fringe Benefit Overhead Cost Cost of Produc tion 0. 50 0. 20 0. 08 0. 40 1. 18 Red 0. 52 0. 20 0. 08 1. 43 2. 23 Purple 0. 55 0. 20 0. 08 4. 12 4. 95 2- Actions that will be taken by Classic Pen Company As shown by the table below, the traditional cost shows the company is realizing benefit for all its pens. Blue Material Cost Direct Labor Overhead Cost Cost of Production Quantity of pen Cost of Production according to the Traditionnal Actual Unit Selling Price Profit/Loss $ Black 25,000 20,000 10,000 8,000 30,000 24,000 65,000. 00 52,000. 00 50,000 40,000 1. 30 1. 30 1. 50 1. 50 0. 20 $ 0. 20 $ Red Purple 4,680 550 1,800 200 5,400 600 11,880. 00 1,350. 00 9,000 1,000 1. 32 1. 35 1. 55 1. 65 0. 23 $ 0. 30 But with ABC Method we have realized that the unit selling price of the Red pen and Purple pen respectively $1. 5 and $1. 65 are less than the cost of production, therefore we expect that the Classic Pen Company will increase the unit selling price of these two pens. Blue Material Cost Direct Labor Direct Fringe Benefit Overhead Cost Cost of Production according to ABC Actual Unit Selling Price Profit/Loss $ 0. 50 0. 20 0. 08 0. 40 1. 18 1. 50 0. 32 $ Black 0. 50 0. 20 0. 08 0. 38 1. 16 1. 50 0. 34 $ Red 0. 52 0. 20 0. 08 1. 43 2. 23 1. 55 (0. 68) $ Purple 0. 55 0. 20 0. 08 4. 12 4. 95 1. 65 (3. 30) How to cite Solution for Classic Pen, Papers

Literary Analysis of Shelley’s “Ozymandias” free essay sample

The traveler describes the broken statue of Ozymandias in the middle of the empty desert, with its pedestal praising his great power. In this poem, Shelley intrigues the reader to think about the temporary nature of human power: its ultimate fate to collapse as time passes by. The poet Shelley uses imagery to reveal the aftermath of Ozymandias’ downfall. By describing the statue as â€Å"trunkless† (2), the poet indicates that the statue is broken, having no body attached to its legs. Furthermore, the poet describes the statue’s face to be â€Å"Half sunk† (4) and â€Å"shattered† (4) in the sand. This scene indicates that the head of the statue is decapitated. Also, various diction helps setting the imagery in this poem. The diction â€Å"lifeless† (7) and â€Å"wreck† (13) demonstrates the statue to be completely ruined. Lastly, the poet paints nothing but a â€Å"boundless† (13), â€Å"bare (13), â€Å"lone and level sands† (14) around the statue. By showing this wide deserted field of sand, the poet indicates the results of Ozymandias’ collapse, having his kingdom disappear, leaving nothing but lonely sand behind. We will write a custom essay sample on Literary Analysis of Shelley’s â€Å"Ozymandias† or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page By depicting the downfall of Ozymandias through the imagery of broken statue and vanished kingdom, Shelley indicates the ephemeral nature of human power. The imagery drawn by Shelley in â€Å"Ozymandias† establishes symbolism. The image of the broken ruins of the statue symbolizes the downfall of Ozymandias. Through this symbolism, the poet reveals the king’s downfall to disgrace and eventually becoming incompetent to even support himself. In line 2, the poet draws an image of the statue’s decapitated head lying in the sand: the â€Å"Half sunk, a shattered visage lies† (4). This decapitated ead symbolizes the king’s downfall to disgrace. The king, who used to be mighty and feared, now is in disgrace by having his head chopped off. This decapitated head also symbolizes that Ozymandias is now completely dead. Furthermore, in line 2, the poet depicts two broken legs of statue, standing in the desert without a body: â€Å"†¦Two vast and trunkless legs of stone / Stand in the desert† (2-3). These broken legs of the statue symbolizes Ozymandias collapse, dramatically falling from one in â€Å"command† (5) of his entire kingdom to a weak incompetent one who cannot even stand on his own feet. Lastly, Ozymandias himself symbolizes any human authority, illustrating that every authority is destined to fall. Through this symbolism, and by showing Ozymandias’ failure despite how his power seemed everlasting in the past, the poet reveals the fleeting nature of human power, ultimately destined to be fall. Lastly, the irony created by Shelley demonstrates the ephemeral nature of human authority, regardless of the greatness or the size of the power. The words on the pedestal, â€Å"My name is Ozymandias, King of Kings: / Look on my works, ye mighty and despair† (10-11), contradict with the surroundings of the pedestal such as the â€Å"shattered visage† (4), â€Å"Two vast trunkless legs of stone† (2), and the â€Å"boundless† (13), â€Å"bare (13), â€Å"lone and level sands† (14). While the quote on the pedestal shows adoration for Ozymandias, suggesting that his mighty power is invincible and divine, the surroundings of the pedestal contradicts with the statement written on the pedestal. Ozymandias’ ‘holy’ statue is destroyed and his kingdom is completely vanished, leaving only a plain desert behind. Furthermore, the pedestal’s words also go against the source of the tale of Ozymandias. Again, the pedestal claims that Ozymandias is the â€Å"King of Kings† (10), therefore having a widely known infamous presence throughout the world. But though the pedestal indicates that Ozymandias was a well known figure, his tale was only heard from a traveler from far away. This irony indicates the downfall of Ozymandias; a king once well known and feared by people, is now only known by an outsider from long distance away. Through the irony created by Shelley, having the words contradict with the surroundings of the pedestal and the source of the story, Shelley indicates the ultimate fate and the ephemeral nature of human power. Historical figures in the past and even people today strive to achieve success and power. However, through illustrating a downfall of a mighty king in his poem â€Å"Ozymandias†, Percy Bysshe Shelley reveals the ephemeral nature of human power regardless of the power’s size or greatness. As many other historical figures met their ultimate fate, Ozymandias also faced his downfall, eventually becoming from an infamous ruler to a forgotten helpless figure. By drawing a vivid image of the aftermath of the collapse of Ozymandias, Shelley grabs the reader’s attention and reveals the symbolism of the poem. Finally, these imagery and symbolism guide the reader to see the irony of the poem, helping he or she to realize that this so called invincible power fell into pieces over time. Through the downfall of Ozymandias, the poet intrigues the reader to rethink about our nature to strive for success and power.